Even the team's name curves along the hillside. |
While fans might associate the Curve’s name with baseball’s breaking pitch, the Altoona Curve’s name derives from the famous horseshoe railroad curve that rises through the mountains of central Pennsylvania a few miles west of the city. Now designated as a National Historic Landmark, “Horseshoe Curve” opened in 1854.
An engineering feat that conforms to the contour of the mountains without the aid of a trestle, the tracks rise more than 100 feet in a distance of less than half a mile, a slope that is more than two and a half times greater than the average grade that trains usually negotiate. That slope is further complicated by the severity of the tracks’ half-circle, whose degree of curvature is 9 degrees, 25 minutes.
Portion of the graphic explanation on display at the National Historic Landmark. |
Aerial photo of Horseshoe Curve on display at the Allegheny Portage exhibit. |
Boxcars negotiate Horseshoe Curve. |
Remnants of the Portage Railway. |
Placing the Allegheny Portage Railway in a cultural timetable. |
In several years before the depths of the Great Depression, Altoona fielded minor league teams, twice watching them depart for other cities before the end of their first season. When the Altoona Engineers left for Beaver Falls in 1931, more than six decades would expire before professional baseball would return to the mountain town in the mid-1990s with the establishment of the Rail Kings in the independent North Atlantic League. While that team enjoyed relative success and enthusiastic support from the community, the League itself folded, forcing the team to join the equally hapless Heartland League the following year.
Then came Major League Baseball’s expansion in the late 1990s. Accompanying the development of two additional Major League teams—the Arizona Diamondbacks and the Tampa Bay Devil Rays (as the team was initially known)—affiliated minor league franchises were also awarded to prospective cities, with Altoona winning out over Springfield, Massachusetts for one of the new Double-A teams. So was conceived and born the Altoona Curve.
My predisposition to like the Curve because of the playful complexity of its name was heightened by the hospitality that I received in the mountain community and the special features aligned with the game on the date of my singing. It was Father’s Day. I had anticipated missing my family since Bonnie had remained in Washington to spend several days with friends, and my sons, both of whom phoned me before evening, were a continent away in California. What I had not expected was that I could share the afternoon with the father of a friend and colleague, Art Remillard.
A professor of American religious history at St. Francis University, Art has presented papers on religion and sport at various conferences that I have attended, and he has reviewed books that I have written and edited. When he learned of my project, he invited me to stay in his home for the nights when I would sing for Altoona and State College, an hour’s drive away. The odd thing: Art and his family would be out of town for two months surrounding my time in the area. Art said that I could get access to his house from his father Vincent, an ardent Curve’s fan who lives close by and who planned to attend both of my games.
Vincent Remillard at Horseshoe Curve Historic Landmark. |
In Altoona, the Curve’s ballpark is one of the most imaginative in all of baseball. A couple of years after the Blair County Ballpark had opened in 1999, USA Today played with its description of the facility: “A minor league ballpark is one thing. An amusement park is another. But tucked in the Allegheny Mountains is a place where there’s really no difference.”
In large part the ballpark’s amusement ambiance is set by Lakemont Park’s Skyliner roller coaster, whose high tiers abut the right field fence. While the amusement park dates from the late nineteenth century, the fifty-year-old Skyliner was purchased from another amusement park and installed at its present site more than a decade before the team was formed and the adjoining ballpark conceived. The high wooden scaffolding and sweeping curves of Skyliner’s structure not only add a playful backdrop to the ballpark; they also mimic Horseshoe Curve, from which the team derives its name.
Skyiner makes its own horseshoe curve behind right field. |
In large part the ballpark’s amusement ambiance is set by Lakemont Park’s Skyliner roller coaster, whose high tiers abut the right field fence. While the amusement park dates from the late nineteenth century, the fifty-year-old Skyliner was purchased from another amusement park and installed at its present site more than a decade before the team was formed and the adjoining ballpark conceived. The high wooden scaffolding and sweeping curves of Skyliner’s structure not only add a playful backdrop to the ballpark; they also mimic Horseshoe Curve, from which the team derives its name.
At the Curve’s ballpark on Father’s Day afternoon, a sense of poetry also prevailed as a pre-game promotion allowed parents to play catch with their children in the outfield. Generations of families participated in the activity, while many of the pairs of tossers and catchers called to mind poet Donald Hall’s signal essay in his baseball collection Fathers Playing Catch with Sons.
The game was also distinct in several other ways. Squeals of delight dopplered into the stands from the roller coaster riders swooping along Skyliner’s dips and turns. Sprinklers sprayed the infield during the bottom of the first inning.
I enjoyed my first in-stadium interview with a team’s broadcast crew, the local ESPN radio game-day host Josh Ellis.
And in his Double-A debut, the Curve’s Phil Irwin hurled six impressive innings, yielding two harmless singles (one on a hanging curve), showing good control with after hitting the first batter that he faced, and holding the Harrisburg Senators scoreless during his team's win 4-1.
I enjoyed my first in-stadium interview with a team’s broadcast crew, the local ESPN radio game-day host Josh Ellis.
Curve's media man Josh Ellis interviews me on WVAM's pre-game show. |
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